{"id":"kage-nui","name":"Shadow Sewing","japanese":"影縫い","category":"techniques","subtitle":"Branches to attack or immobilize.","summary":"A Nara technique that projects shadows in branches able to interact physically with the target.","facts":[["Tipo","Nara hiden"],["Función","Attack or restraint"]],"lvl":1,"sections":[{"h":"How it works","lvl":1,"ch":"naruto-283","t":"Shadow Sewing is a secret Nara clan technique that makes the shadow solid. Instead of just immobilizing, the user splits their shadow into several sharp needles or tendrils, controls each one separately and can pierce one or more targets at once. The same strands can hold the rival in place by stitching them down. Since it is a physical attack, it does not allow capture without injury. Shikamaru shows it at the start of the second part, when he is already a chūnin.","pos":283},{"h":"Combining it with Shadow Possession","lvl":1,"ch":"naruto-339","t":"A skilled user moves from Sewing to Possession and back: they can pierce and then control, or immobilize and then wound. Shikamaru uses this repertoire in his clash with Hidan and Kakuzu, where the shadow is combined with blades, explosive tags and ground prepared in advance. The technique shares Possession's requirements: it needs available shadow, range and chakra, and its effectiveness depends on timing. Against an immortal rival or one who moves out of range, the sewing only solves part of the problem.","pos":339},{"h":"Other users","lvl":1,"t":"Shadow Sewing appears in other members of the Nara clan. In anime-original stories of the second part, Shikaku and Ensui Nara use it, Ensui being a clan relative who only appears in the adaptation. They show that the technique is part of the family repertoire, though each user learns and masters it to a different degree. It takes a fair amount of chakra, and how fast it activates makes it useful when someone needs to be stopped immediately."},{"h":"In the Boruto era","lvl":2,"t":"In the Boruto era, this entry does not credit Shadow Sewing to Shikadai without a concrete demonstration. Being Shikamaru's son gives him access to the clan's training, but that is not the same as mastering every variant. The limitations remain: the shadow needs light and a surface, its range is finite, and turning shadow into solid needles takes more chakra than simple possession. As in the previous generation, the technique works best as part of a plan, not as a resource on its own."}],"characters":["shikamaru"],"related":["kagemane","kage-kubishibari","nara"],"reference":"Naruto, chapters 283 and 322–339: uses of shadows and the fight against Hidan.","sources":[{"title":"Shikamaru: sombras, Shikaku e Ino–Shika–Chō","url":"https://naruto-official.com/en/news/01_1910"}],"figures":["<figure class=\"technique-figure\" data-illustration=\"kage-nui\"><div class=\"illustration-art\"><svg class=\"technique-svg\" viewBox=\"0 0 460 240\" xmlns=\"http://www.w3.org/2000/svg\" role=\"img\" aria-label=\"A shadow splits into several branches that reach an abstract target.\"><rect width=\"460\" height=\"240\" rx=\"8\" fill=\"#151520\"/><path d=\"M0 60h460M0 120h460M0 180h460M115 0v240M230 0v240M345 0v240\" stroke=\"#b99bbd\" stroke-opacity=\".05\"/><circle cx=\"230\" cy=\"120\" r=\"102\" fill=\"#b99bbd\" fill-opacity=\".025\"/><g class=\"fx-art\"><g class=\"fx-actor\"><g transform=\"translate(87 111) scale(1)\" stroke=\"#b9ccb8\" stroke-width=\"1.5\" stroke-linejoin=\"round\"><path d=\"m-8 19-6 20-9 12h12l12-22 6 21h12L8 20Z\" fill=\"#272b3c\"/><path d=\"m-12-10-11 8-7 20 7 4 10-17 4 8h18l4-8 9 17 7-4L20-2 10-10Z\" fill=\"#32374b\"/><path d=\"m-11-10 11 8 10-8-2 29H-8Z\" fill=\"#b9ccb8\" fill-opacity=\".3\"/><path d=\"M-8-30q7-8 16 0v13l-8 8-8-8Z\" fill=\"#ccb2a8\"/><path d=\"m-10-26-2-10 6 1 5-5 5 5 7-1 2 11-6-5-7 3-6-3Z\" fill=\"#222436\"/><path d=\"M-9-25H9\" stroke-width=\"3\"/><path d=\"m-4-20 2 0m5 0h2M-9 16H9m-25 28h7m15 0h8\" fill=\"none\" stroke-width=\"1.2\"/></g></g><path d=\"M94 173q127-56 260-8l-5 10q-139-41-247 11Z\" fill=\"#090e12\" stroke=\"#8dae98\"/><g fill=\"none\" stroke=\"#8dae98\" stroke-width=\"3\"><path d=\"M152 166q20-44 156-90m-103 79q68-25 139-39m-74 46q81 0 104-23\"/></g><circle cx=\"337\" cy=\"95\" r=\"30\" fill=\"#a9bcb520\" stroke=\"#8dae98\"/><path d=\"m305 75 12-2-8 11m30 28 13 0-9 8m19 11 14 5-11 4\" fill=\"none\" stroke=\"#c7dfc7\" stroke-width=\"2\"/><text class=\"fx-label\" x=\"230\" y=\"217\" text-anchor=\"middle\" fill=\"#d6c6df\" font-size=\"12\" font-family=\"sans-serif\" letter-spacing=\"1\">BRANCHING · CONTROL · RANGE</text></g></svg><button class=\"illustration-open\" data-enlarge=\"kage-nui\" aria-label=\"Enlarge illustration of Kage Nui\"><span class=\"illustration-zoom\">Enlarge ↗</span></button></div><figcaption><strong data-title=\"Kage Nui\">Kage Nui · Original diagram</strong><span>Shadow branches that interact physically. It illustrates control of the technique without crediting it to every Nara.</span></figcaption></figure>"]}